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Today, the work at the General Assembly of the World Intellectual Property Organization (WIPO) shall initiate, agency of the UN specialized on intellectual property. |
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The Centre for Technology and Society (CTS), at FGV School of Law in Rio de Janeiro, and the Innovation and Access to Knowledge Programme of the South Centre, an intergovernmental organization of countries of the South, established a recent collaboration project aimed at reporting and making analisys of WIPO discussions. This is the first of many posts that will be drafted to achieve that goal. This first post was drafted by South Centre's experts. |
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Heather Ford, executive diretor of iCommons, was interviewed for the Business Day's new business-leisure newspaper, The Weekender. The article, entitled "Commoners reshape the rules of copyright" discusses Creative Commons as a response to copyright and how it can be utilised in Africa. As Ford states, "Our intellectual property is one of the most valuable assets we have, and we can’t afford to be an audience to what’s going on in the rest of the world. Open access could allow Africa to become a real player in the digital game." |
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Remember the World Summit on the Information Society (WSIS)? Well, at the final session of WSIS, the delegates drafted the ‘Tunis Agenda’ which asked the Secretary-General of the UN, Kofi Annan, to convene a ‘new forum for multi-stakeholder policy dialogue’. Some say that the IGF was just a way for the US representatives to draw attention away from the impasse over critical aspects of the WSIS Declaration (including issues around intellectual property alternatives). But James Love from CPTech is determined that this isn’t just another talk shop – which is why he brought us together in Geneva to talk strategy with regards to the upcoming conference in Athens in November. |
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The notion of piracy and its ill effects is getting a good deal of coverage in the South African press. Piracy is portrayed as an activity which is killing South Africa's cultural industries. The mainstream media is publishing articles that have a strong anti-piracy slant by taking the moral highground, are emotive in tone, and provide frightening financial statistics of piracy's effect on the creative industries. However, when scrutinised, the moral high-ground appears to be one-sided, not taking into account the variety of voices that could be heard on the issue, the emotion serves to cloud important issues rather than opening up debate, and the financial statistics are difficult to extrapolate given their vagueness. |
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